Hen party themes · Commercial
Commercial Hen Party Dance Class Sheffield
This is the backing-dancer stuff: a commercial hen party dance class in Sheffield teaches the sharp, camera-facing choreography you scroll past every day, set to a chart track your group votes for. Ninety minutes with a professional choreographer comes to £175 for the whole party, or £150 if you only want the hour.
Check your date
Tell us the song. We'll do the rest.
Even a half-formed plan is worth sending. A month, a rough number of hens and any track the group keeps going back to gives us everything we need to check the diary and quote properly.
Facing the camera, on the countWhere the class happens
Two rooms we hire in Sheffield city centre, or we come to you.
- Bailey Street, S1 4EHHired studio near West Street and the Devonshire Quarter
- Surrey Street, S1 2LGHired room beside the Peace Gardens and the Crucible
- Your own venueHouse, cottage or hotel space across Sheffield and the Peaks — clear the floor and we travel to you
Why commercial works
You already know what it should look like.
Commercial is the umbrella term for the dance that sells things — the routines behind pop artists, in adverts, on award shows and in whatever fifteen-second clip the group has been sending each other all week. Because everyone has watched thousands of hours of it without noticing, a hen group arrives already knowing what "right" looks like, which is a strange advantage: they can see when they've nailed a count, and they can see it in the video afterwards. That instant feedback is why it has climbed our hen party dance class rankings so quickly.
What the choreographer actually builds depends on the track you choose. A slinky R&B number gets weight, pauses and floorwork; something faster gets travel and formation changes; a girl-group anthem gets attitude and a chorus everyone can throw themselves at. Heels are welcome and completely optional — plenty of groups dance the whole thing in trainers and it loses nothing. One thing we do insist on is that the routine faces front, because a commercial number that reads beautifully in a mirror can vanish completely on a phone screen. If the group wants the grittier, less polished cousin of this, look at street dance; if they want one artist's catalogue and nothing else, our Beyoncé hen party class does exactly that.
It lands especially well with younger Sheffield hen groups and with the university crowd who never quite stopped dancing after freshers' week. We run it in a studio we hire in the city centre, which puts you a short walk from Devonshire Green and the West Street bars when the ninety minutes are up — and long enough before the evening that somebody will have edited the footage before the first round. Anything themed you fancy wearing is your own to bring; we don't supply outfits, shoes or props. The keenest tend to reappear in one of our weekly dance classes within a month or two, generally the ones who swore in the studio that they had no coordination whatsoever.
The £175, itemised
What £175 buys the whole group.
Take the ninety minutes if you want the routine to look properly clean on camera — the extra half hour goes almost entirely on polish. Venue hire is the one thing added, quoted before you commit.
What's included
- Professional dance instructor
- Commercial choreography built for your group
- All music and sound equipment
- Warm-up and cool-down
- Beginner-friendly instruction
- Photo and video opportunities
- Help picking the theme and the song
- Group coordination beforehand
- A spotlight moment for the bride
What you'll experience
- A routine written to the track your group actually voted for
- Counts broken down to half speed before anything runs at tempo
- Heels for whoever wants them, trainers for everyone else
- Formation changes if the numbers and the room allow for them
- Corrections given kindly and out loud, never singling anyone out
- Time at the end to shoot it properly rather than in a rush
Perfect for
- Groups who send each other dance clips all year
- A bride who wants the video more than the certificate
- Younger hen parties who'd find a themed costume naff
- When the group cannot agree on a decade or a film
- Anyone who did dance until sixteen and misses it
- Hen dos built around one very specific song
Hour by hour
How the commercial session runs.
A proper warm-up comes first, because commercial choreography puts more through the knees and shoulders than people expect. From there the choreographer takes the first eight counts apart: shown at tempo so everyone sees where it's going, then dismantled to half speed and rebuilt piece by piece, with the room facing the mirror and then away from it.
The middle of the session stacks section onto section until there's a full chorus, and the last stretch is where it stops being a lesson — spacing sorted, arms cleaned up, one or two people pushed forward for a moment each, the bride placed wherever she wants to be. On the ninety-minute booking there's genuinely time to run it three or four times and film the best one. Nothing above is a promise, though. The order shifts with the room, the track is chosen with you, and the choreographer will drop half of it if something else is landing better.
Once the phones came out
What the group made of it.
We sent the song over a fortnight before and she built the whole thing round it. Twelve of us, none trained, and the video honestly looks like we knew what we were doing.
Half the group wore heels and half wore trainers and it made no difference to how it looked. That surprised me more than anything.
Hardest ninety minutes and the best ninety minutes.
I was dreading it as the bride because I hate being watched, and she quietly built the routine so I was never on my own out front. Ended up loving it and doing the last run twice.
Commercial questions
The commercial class, answered.
1What actually counts as commercial dance?
It's the catch-all for choreography made to sell a song: music videos, tours, adverts, awards performances. Musically it borrows from hip-hop, jazz and heels work, and stylistically it's built to be watched head-on. If you've ever copied a routine off your phone, you've already tried it.
2Can we choose the song for our commercial routine?
Yes, and we'd rather you did — send a track or two in your enquiry and the choreographer works from those. If the group can't agree, tell us the sort of thing you like and she'll bring options on the day. We don't work to a set playlist.
3Do we have to dance in heels?
Absolutely not. Heels suit some commercial styles and plenty of groups bring a pair for the last run and the photos, but trainers are perfectly normal and often safer on an unfamiliar floor. Whatever you dance in is your own — no shoes, costumes or props come from us.
4Is commercial too hard for total beginners?
No, because we control how much goes in. Everything is taught at half speed first and layered slowly, and the choreographer simplifies any section the room is struggling with rather than pushing on. Groups where nobody has danced since school do this every weekend.
5How big a group can learn a commercial routine together?
Anything from six to twenty-five and beyond, at the same flat price for the whole party. Larger numbers get built into rows and formation changes, which frankly looks better on camera. Just give us a rough headcount so we can pick a room with enough floor.
6Where does the commercial class happen in Sheffield?
At a studio we hire in Sheffield city centre, mirrored and easy to find from the station — we send the exact address once the date is locked in. Expect either Bailey Street (S1 4EH) or the studio at Surrey Street (S1 2LG), both a short stroll from the station; the booking email says which. If your group has a house together in the city or a cottage out in the Peak District, we can bring the class and the speaker to you.